Part 1


Sailor Moon - Naoko Takeuchi


I thought this was a really good research point going forward as ive decided to make my work into a comic ive taken this manga spread to help me analyse key features

  • dramatic backgrounds to represent moods
  • action marks/ lines to show if something is tense or surprising
  • movement/motion marks 
  • speech bubbles
  • sectioned off images in different shapes to show they are different images
  • more important parts of the story are larger
  • varying text sizes or text out of bubbles to add emphasis or show its noise other than speech
  • noises written out e.g bam or flap

I plan to try and follow a similar format for my work as I think its the most effective way of telling a story clearly, my illustrations will need some editing to incorporate these but I think it will hopefully be more successful than just 6 separate images on a page, doing it similar to this manga style should hopefully emphasise story lines and help to convey moods etc..

Jon Burgerman


Burgerman has used shape colour and space to create this illustration, what caught my eye about it was how he used block colours to create the image, normally in my work I like to use a lot of tone because something in the back of my mind tells me its not finished until ive got all the shadows and highlights in, Seeing as the illustration extension week brief asks us to work with card, that means I need to have more of a 2D appearance to my work, and I thought Burgermans was a good example of how he's done this effectively.

Esther Aarts - When Animals Take the Night Shift


Extension week reference point

Pareidolia: Seeing Faces in Unusual Places

To some observers, it looked like an ordinary grilled cheese sandwich. But to the Miami woman who put it up for sale on eBay, and to some people who viewed it, there was an image of the Virgin Mary seared on this seemingly run-of-the-mill snack.

The psychological phenomenon that causes some people to see or hear a vague or random image or sound as something significant is known as pareidolia (par-i-DOH-lee-a).

The word is derived from the Greek words para, meaning something faulty, wrong, instead of, and the noun eidōlon, meaning image, form or shape. Pareidolia is a type of apophenia, which is a more generalized term for seeing patterns in random data.

Some common examples are seeing a likeness of Jesus in the clouds or an image of a man on the surface of the moon.

Famous examples of pareidolia

A prime example of pareidolia and its connection to religious images is the Shroud of Turin, a cloth bearing the image of a man — which some believe to be Jesus — who appears to have suffered trauma consistent with crucifixion. The negative image was first observed in 1898, on the reverse photographic plate of amateur photographer Secondo Pia, who was allowed to photograph it while it was being exhibited in the Turin Cathedral.

Some visitors to St. Mary's in Rathkaele, Ireland, say a tree stump outside of the church bears a silhouette of the Virgin Mary.

Damage to the Pedra da Gávea, an enormous rock outside Rio de Janeiro, Brazil, created an impression that many interpret as a human face.

Many people thought images taken in 1976 by the Viking 1 mission showed a face on Mars that could have been the remnants of an ancient civilization. [Gallery: Mars Illusion Photos: The 'Face on Mars' and Other Martian Tricks]

In September 1969, conspiracy theorists claimed some Beatles records contained clues to Paul McCartney's supposed death. Many heard the words "Paul is dead," when the song "Strawberry Fields Forever" was played backwards, a process known as backmasking. This is a common urban legend often repeated to this day. 

In 1977, the appearance of Jesus Christ on a flour tortilla set the international standard for miracle sightings. It happened in the small town of Lake Arthur, New Mexico, 40 minutes south of Roswell.

Diane Duyser of Miami sold a 10-year-old grilled cheese sandwich, which she said bore the image of Jesus, for $28,000 on eBay in 2004.

In 2004, Steve Cragg, youth director at Memorial Drive United Methodist Church in Houston, Texas, discovered a Cheeto that looked like Jesus.

Donna Lee of Toledo, Ohio, saw an image of Jesus on a pierogi she was preparing on Palm Sunday in 2005.

In 2007 in Singapore, a callus on a tree resembled a monkey, leading believers to pay homage to the "Monkey god.

 A cinnamon bun bearing a likeness of Mother Teresa was first discovered at the Bongo Java Café in Belmont, Tenn. It was on display for about 10 years, until it was stolen on Christmas day in 2007.

In 2012, many people made a pilgrimage to a tree at 60th Street and Bergenline Avenue in West New York, N.J., to see a scar on the tree that some believed looked like the image of the Our Lady of Guadalupe depiction of the Virgin Mary.

Why pareidolia happens

There are a number of theories as to the cause of this phenomenon. Experts say pareidolia provides a psychological determination for many delusions that involve the senses. They believe pareidolia could be behind numerous sightings of UFOs, Elvis and the Loch Ness Monster and the hearing of disturbing messages on records when they are played backwards.

Pareidolia often has religious overtones. A study in Finland found that people who are religious or believe strongly in the supernatural are more likely to see faces in lifeless objects and landscapes.

Carl Sagan, the American cosmologist and author, made the case that pareidolia was a survival tool. In his 1995 book, "The Demon-Haunted World – Science as a Candle in the Dark," he argued that this ability to recognize faces from a distance or in poor visibility was an important survival technique. While this instinct enables humans to instantly judge whether an oncoming person is a friend or foe, Sagan noted that it could result in some misinterpretation of random images or patterns of light and shade as being faces.

Leonardo da Vinci wrote about pareidolia as an artistic device. "If you look at any walls spotted with various stains or with a mixture of different kinds of stones, if you are about to invent some scene you will be able to see in it a resemblance to various different landscapes adorned with mountains, rivers, rocks, trees, plains, wide valleys, and various groups of hills," he wrote in a passage in one of his extensive notebooks.

Sometimes artists use this phenomenon to their advantage by embedding hidden images in their work. Observers often view other objects in Georgia O'Keeffe's flower paintings, for example.

In 1971, the Latvian writer and intellectual Konstantīns Raudive detailed what he believed was the discovery of electronic voice phenomenon (EVP). EVP has been described as "auditory pareidolia." The allegations of hidden messages in popular music have also been described as auditory pareidolia.

The Rorschach inkblot test uses pareidolia in an attempt to gain insight into a person's mental state. Since the cards have been designed without any specific image in mind, this is an example of "directed pareidolia."


I thought this scientific concept/theory was relevant to my extension week project as the illustration project works around hiding a letter or number in an image by combining it within the whole illustration, this reminded me of pareidolia as in a way it is the reverse of it. I also never really thought about how Rorschach's inkblot test uses this and that its present in Georgia okeefes paintings. I remember when I first encountered pareidolia when I was younger as I'd gone out for dinner with my family to the pub and I started to notice little hidden polar bears, giraffes, tigers and other animals hidden in the patterned fabric of the booth we were sitting in.

Aleia murawski


Giant African land snail - Likrot


Piper Ellis @d6rkangel


I find this photograph really visually interesting, I think its the contrast of the organised, plastic wrap shiny background to the dark hair and light flowing dress that really made it stand out to me. Though the reason ive included it in my research is because it is very much up to the consumer to create a story for it. I really like this concept and that the viewer is left curious and maybe slightly confused or even shocked by the image created, its definitely the kind of reaction I want to replicate in my own work.

Studio Ghibli - spirited away


Brandon Schaefer


3,000 miles - Sean wang


Amalia Ulman - Excellencies and perfections


Language and interaction - Amalia Ulman

Amalia Ulman is a 4D artist who created a whole online Instagram hoax of her life, fooling thousands of followers in 2014 with her "excellencies and perfections" project. I really like this because its not how id typically perceive art maybe, which makes 4D a very interesting pathway as its completely different from what I know, and seems to entail so many possibilities. What I like about unmans work is that its almost a social experiment, political statement and art piece showing the cultural impact of social media. She showed so much of her 'life' only for it to turn out she didn't reveal anything at all, which really highlights how the artist controls what the audience does and doesn't perceive or understand from the work. It also makes it a very personal experience depending on how individuals reacted and interacted with Ulman, only adding to her work and 'story'. 

I found this Article by Sophie rugrok in which she explains why Ulmans work was a hit due to the nature of social media and its affects on our lives and how Ulman managed to perfectly mimic this with her own creation.

"The performance piece was titled “Excellences & Perfections” and it was an art world sensation. Not only had Ulman shone a light on social media’s ability to dupe, she had also created what critics heralded as the “first Instagram masterpiece”. In 2016, the piece was included in a group show at the Tate Modern, Performing for the Camera, making her the first social media artist to enter into a top institution. Today, Excellences & Perfections stands up as more relevant than ever, foreshadowing our increasingly unhealthy relationship with Instagram and dubious notions of ‘truth’ online. As a new book is released (published by Prestel) detailing the work, we look at how Ulman’s performance impacted the internet we experience today, but also how it predicted it."

Guillaume Delvine - Panier perce


Structure and form - Guillame Delvine

The cross stitched bowls by Guillaume Delvigne really stood out to me due to their beautiful design and the thought behind it, I like how the design could be so easily changed and how Delvigne managed to make an ordinary object into something much more beautiful and intricate looking. It definitely mixes functionality and thoughtfulness.

I found this article by Zoe blacker 

"In Collaborations, the show moves on to commissioned designs for leading ceramic manufacturers. Among the more successful are...Ionna Vautrin and Guillaume Delvigne’s Panier Perce would be any young girl’s dream. It’s a simple porcelain pot, pierced with a grid of small holes to act like an embroidery cloth and comes with coloured wool and needle." 

Looking at this secondary research has helped me gain insight into what the inspiration may have been behind the idea as well as how the artist would have displayed it, rather than it being something that is actually sold and used it'd been placed in a museum. This is interesting to me as it makes it more of an art piece rather than an actual functional product or design that would fall under the 'product design' category. Regardless, I still think its very beautiful and I'm a big fan of the idea behind it.

I think its still too early for me to know what pathway I would be interested in going down, whilst I enjoyed the sculpture day the most this week, I don't think it has as many job prospects and wouldn't be very well suited to me, however this has confirmed that I do tend to find myself as more of a maker and working in 3d rather than drawing or painting in 2d. `hopefully over the coming weeks ill find a field that would fit my interests, skills and preferences when designing.



Ellakookoo's work has inspired me to look at creative ways of using colour, as she's stuck to a strict teal and warmer yellow/orange colour palette in her work, and used all these really effectively to highlight certain aspects.

Conrad Roset


return of Saturn - Juliana Horner


Piper Ellis @d6rkangel


Eunpyon @eunpyonart


I love the use of colour in this illustration, and how it leads the eye around the page, I tend to prefer pieces like this, especially due to the texture left by the marker, its not as clean and even as maybe digital illustration or gouache would be but I think its a lot more visually interesting. This piece really makes me want to explore using colour a lot more in my work, as colour theory is not something im really familiar with I think ill have to begin experimenting and trialling things to further my learning and practice.

Sculpture by Calla Mav @_berrykid_


What I like about this piece is that the artist has used low materials such as old toys and pieces of plastic or broken things to create her sculpture, It also has a strong meaning behind it which I think could really influence my own work and the personal message behind it. I already actually see similarities between this and what I created in the sculpture workshop as the piece seems very soft and cute at first glance but when u look deeper or know the story behind it u can begin to understand how its linked to abuse/neglect and growing up too fast. I really like being able to conceal messages from the consumer or viewer as it keeps my work very personal and emotional to me, which is probably why I enjoyed the sculpture workshop so much because I got to secretly put a piece of myself out into the world. I want to do more of this kind of concept in my work like the sculptor has done here.

Calla mav @_berrykid_


Crayons are my favourite medium, I love how calla mav has used a very low level and cheap material to create a beautiful illustration. Its inspired me to try and use them in my foundation and sketchbook work rather than in just my personal work, some of my favourite things ive ever created were with crayons and actually made it into my portfolio so it seems a shame if I don't find an opportunity to use them. I love the bright colours and waxy texture the medium has.

Brandon Schaefer


Yayoi Kusama - Infinity room


Yayoi Kusama

Kusama is a Japanese painter and sculpture artist, I've visited multiple of her exhibitions at the, including the Forever Museum of Contemporary Art in Kyoto Japan and the Victoria miro in London. I particularly am drawn to her sculptures and infinity rooms with her use of light and colour, she manages to trick the mind into perceiving a larger space. I also love that she has an obsession with dots and pumpkins, her eccentric personality definitely comes through in her work!

Jeff Koons - Balloon Dog


Happy99 x Juliana Horner


Happy99 / Nathalie Nguyen

Go to the Instagram page and you'll find a slew of red-hot footwear. Most pieces come in the form of ’90s club kid sneakers with a hint of dorky dad. There are shoes that seem like they were made by cyberpunks—or maybe NASA?—adorned with miniature skis and teeny jets. There are lime-green rollerblades that come complete with a standard plastic buckle and with wheels that are embellished monster truck–style spikes. There are also sexy going-out shoes in the mix: stripper heels fashioned with a spring coil. Underneath all of the photos are a trail of swooning comments and questions like, “where that online shop?” Fans will have to wait: Nothing on is for sale. In fact, Happy99 the label doesn’t actually exist outside of Instagram. Instead, these are digitally rendered creations from artist Nathalie Nguyen, aka “3D sorceress.”

Nguyen came up with the idea of creating a nonexistent shoe line nine months ago, just as she was beginning a relationship with her boyfriend, Dominic Lopez. “We started dating and we really need to be invested in something beyond wanting to be together,” she says. “So Happy99 was a way to get our designs out.” Nguyen has had a page of her own (@spicy.obj)—a mix of off-kilter modeling and 3D renderings of herself (sometimes both appear in a single Instagram). In one image, Nguyen wears a Jean Paul Gaultier “optical illusion” while modeling nails that resemble a Swiss Army knife, complete with a two-prong fork and spindly corkscrew. The personal page was made to attract followers. “I started doing the beauty and makeup stuff because I was looking at Instagram as a whole. Engagement is what spreads my work, and I need more exposure [for it],” says Nguyen. “So I was looking at things that get a lot of exposure. Nails, makeup, and shoes are some of the highest-ranking in engagement.”

While Nguyen’s creations are trippy, her trajectory into the world of 3D was fairly traditional. She grew up in a family that stressed the importance of pursuing a career in technology and computers. “My dad was like, ‘You can’t be an artist; you have to work in computers,’ so I was like, ‘What about 3D? He was like, ‘Is it computers?’ Then he said I could do it.” Eventually, Nguyen attended the Academy of Arts in San Francisco and later moved to New York. She then began creating the footwear in 3D programs and would Photoshop the designs onto friends. From there, Happy99 was born.

So will we ever see Nguyen’s designs in the flesh? Otherworldly as they may be, she does have a real-life collaboration in the works. “It is a crossroads between tech and art and it is totally happening right now,” she says. “People are putting real tech into self-lacing shoes, it is really cool, and we are just doing our own approach to it.”


I love this concept, I think its really interesting to see how technology and the future may impact our design with instead of creating real fashion accessories, the artist has just thoroughly executed a concept. I think its the future of art and design so it will definitely help to influence how I come at projects possibly in more conceptual ways rather than having to think so structured and literal, technology can help us make the impossible visually possible. 

Lucy Mcrae - Morphe


Ideas Factory - Lucy Mcrae

"Commissioned by Aesop, short film ‘Morphe’ depicts a liquid–tech world, where super-sensory beauty treatments deliver health via the skin and hair."

This video depicts a possible future of the beauty world through visualising different treatments in a lab like setting.

I found this piece really interesting to watch and the video captivated me, the colour palette, audio and imagery shown all work together to create a very serene atmosphere out of what could be very cold and medical seeming. Overall I found the film beautiful and intriguing, it made me more interested in the possibility of future treatments due to the way Mcrae created the film. Each shot felt purposeful and elegant despite the very clinical setting. Film as a specialism interests me as a possible future career because I like how it combines so many different creative aspects to create an idea and the different possibilities, I could go into set design, props, editing, sound etc.. all which can help to build a film, this is what makes it so interesting to me, and due to advancements in technology the area will be forever growing and a practical area to go into work, with no fear of it dying out like print is beginning to.

Ideas Factory - Hans Ulrich

"Through the 89plus research we learned that many are critically addressing the phenomenon of the so-called “filter bubble.” This is an algorithmic mechanism used by companies through which a user’s online experience becomes a static, ever-narrowing version of their own pre-existing preferences. It is a tool by which algorithms select online content that a user might want to see based on pre-existing data harvested from the same user, such as location, search history, and personal information. It guards users against exposure to any content that might contradict their viewpoints, therefore isolating them within a coherent, restricted ideological environment"


Hans Ulrich talks about how the future and technological advancements will have an effect on what we make and view as creatives, which can cause issues of being stuck in little groups, unable to see things outside of what an algorithm deems as relevant or preferable for us to view. His approach and ideas is interesting to me and I'm inclined to agree as it feels as if there would be lots of limitations on creating things as everything slowly becomes online and our ideas all merge into one. However I slightly disagree because I think the internet is actually expanding our viewpoints and what we have access to rather than eventually confining it. However Ulrich is a curator rather than creating work himself which may be why he takes this stand point, I don't think this would be an ideal career for me in this sense especially if the field is struggling.